Greetings Readers, Daddy’s Invisible Ouchy (DIO), my first kid book (of a planned series of 12), has taken over my life. I didn’t expect it to be anything more than a little sidebar. It was to be something to do when it was too difficult to write the darker horror pieces I’m already known for. When I first launched DIO, it received immediate attention, and everyone seems to love it! It started to sell, and a local web magazine wrote a piece about me after conducting an interview. The work is unique and powerful in a way that I understood, but didn’t know if anyone else would see it. It hasn’t all been fun and games, however. Issues with the new publisher for this project and distribution channels have been problematic. Marketing and advertising are incredibly expensive. Self and hybrid publishing is a real job I really didn’t want. On the upside, the American Legion has published a piece on it in their web magazine Legiontown, and Military.com is also considering a piece ...
Hello everyone. You may not have expected me back so soon. Yet here I am with another post for this decade. A lot has happened since the last post here, there is so much, that I’ll have to skip explaining and sum up. Salem’s Sequel, Harvester of Tomorrow, is in its final revision, I’ve been bogged down in various projects besides. Research for Tripwire (sci-fi/aliens + prison thriller), The Assassin’s Box , a fantasy epic for Dungeons and Dragons enthusiasts, its companion pieces (the Sunkissed Thieves, Fall of the Day Star, and more), and what might be my most important work since Salem’s and continuing along that path Daddy’s Invisible Ouchy . Yes, it sounds like a kid’s book, and it is. Really? How do I tie Salem’s Son to a kid's book? Well, for one thing, I’m using a Nom de Plume , so no juvenile readers or parents accidentally link my Rated R (or worse) fantasy and horror works to DIO. God forbid they find this place. Salem’s Son sets out to give a modern look at PTSD,...